4 minutes

Multidisciplinary creator Jake Wright brings art to the public

Some Class of 2026 graduates leave a mark on Oregon State University through their achievements. Others leave a mark through their spirit. Jake Wright — a gifted apparel designer, a creative force across campus, and a proud member of a multigenerational Beaver family — has done both. His time at OSU has been defined by artistry, curiosity and a deep belief in the power of community‑centered design. As he graduates, Wright steps into a future where he banks on the value of giving creativity to the world around him.

Wright’s journey is rooted in tradition, both Beaver and fashion. He grew up with the orange and black DNA — and fashion in the house. His mom, fashion blogger Susie Wright, started her career at Nordstrom while still a student. But he has made his own distinct imprint on the university — one stitched with innovation, leadership, and a commitment to using art as a tool for connection.

Wright is known within the design programs as someone who never stops creating. His professors describe him as talented and deeply involved, the kind of student who doesn’t just complete assignments but transforms them into meaningful work.

One of Jake Wright's favorite exhibits, Eleganza Extravaganza — A Night at The Opera, in the College of Business Dean's Office, Austin Hall, curated from the Historic and Cultural Textile and Apparel Collection.

“He is extremely talented and as a student has taken advantage of so many opportunities,” said Brigitte Cluver, senior instructor and program development coordinator. “I do not know how he juggles it all!”

Wright has contributed to DAMchic as a designer, writer and director; supported the Historic and Cultural Textile and Apparel Collection as a collections assistant; and worked at the Craft Center, where he served at the front desk, collaborated on creative projects, and taught sewing as an instructor.

He even launched his own apparel business — a testament to his entrepreneurial spirit and his ability to turn ideas into tangible, wearable art. Wright’s portfolio is a reflection of his versatility: fashion, textiles, costume design, photography, writing and community arts programming. He is, in every sense, a multidisciplinary creator.

One of the most important lessons Wright learned at OSU is the value of saying yes — yes to opportunities, yes to collaboration, yes to the things that spark curiosity. “Getting involved with the things you are interested in around campus can lead you to experiences you could never imagine otherwise,” he said. That mindset shaped his college experience.

All the hard work wrapped up in one big bow. I felt like I was able to guide the panel through the story of my project in a meaningful and personally life‑changing way.

From the Craft Center to DAMchic to the textile collection, Wright immersed himself in spaces where creativity thrives. Each role expanded his skills, his network and his understanding of what it means to be an artist in community. Whether producing garments or costume installations; it was about building relationships, telling stories and contributing to something larger than himself.

Wright’s senior capstone presentation became a defining moment in his OSU journey. After nine months of research, design, prototyping, and storytelling, he stood before a panel of judges and guided them through the narrative of his project. It was the culmination of years of learning — and a moment when he realized just how much he had grown.

“All the hard work wrapped up in one big bow,” he said. “I felt like I was able to guide the panel through the story of my project in a meaningful and personally life‑changing way.” That experience affirmed his confidence as a designer, a communicator and a leader.

Wright is quick to acknowledge the people who helped him along the way. His friends and professors offered guidance, encouragement and space to explore. But two mentors stand out: Kate Ali and Madelaine Corbin, his managers at the Craft Center. They taught him what it means to be an artist, what it means to make an impact and what it means to lead with intention. Their influence helped shape his creative identity and his commitment to community‑centered work.

After graduation, Wright is heading to Eugene to pursue a career in the public arts sector. He plans to get involved in costume design, teach technical sewing, and continue building creative spaces where people can learn, express themselves and connect. It’s a natural next step for someone who has always seen fashion and art as a way to bring people together like a family.