Multidisciplinary creator Jake Wright brings art to the public
Some Class of 2026 graduates leave a mark on Oregon State University through their achievements. Others leave a mark through their spirit. Jake Wright — a gifted apparel designer, a creative force across campus, and a proud member of a multigenerational Beaver family — has done both. Their time at OSU has been defined by artistry, curiosity and a deep belief in the power of community‑centered design. As they graduate, Wright steps into a future where they bank on the value of giving creativity to the world around them.
Wright’s journey is rooted in tradition, both Beaver and fashion. They grew up with the orange and black DNA — and fashion in the house. Their mom, fashion blogger Susie Wright, started her career at Nordstrom while still a student. But they have made their own distinct imprint on the university — one stitched with innovation, leadership, and a commitment to using art as a tool for connection.
Wright is known within the design programs as someone who never stops creating. Professors describe Wright as talented and deeply involved, the kind of student who doesn’t just complete assignments but transforms them into meaningful work.
“They are extremely talented and as a student has taken advantage of so many opportunities,” said Brigitte Cluver, senior instructor and program development coordinator. “I do not know how they juggle it all!”
Wright has contributed to DAMchic as a designer, writer and director; supported the Historic and Cultural Textile and Apparel Collection as a collections assistant; and worked at the Craft Center, where they served at the front desk, collaborated on creative projects, and taught sewing as an instructor.
They even launched their own apparel business — a testament to their entrepreneurial spirit and their ability to turn ideas into tangible, wearable art. Wright’s portfolio is a reflection of his versatility: fashion, textiles, costume design, photography, writing and community arts programming. They are, in every sense, a multidisciplinary creator.
One of the most important lessons Wright learned at OSU is the value of saying yes — yes to opportunities, yes to collaboration, yes to the things that spark curiosity. “Getting involved with the things you are interested in around campus can lead you to experiences you could never imagine otherwise,” they said. That mindset shaped their college experience.
All the hard work wrapped up in one big bow. I felt like I was able to guide the panel through the story of my project in a meaningful and personally life‑changing way.
From the Craft Center to DAMchic to the historic textile collection, Wright immersed themself in spaces where creativity thrives. Each role expanded their skills, network and understanding of what it means to be an artist in community. Whether producing garments or costume installations; it was about building relationships, telling stories and contributing to something larger than themself.
Wright’s senior capstone presentation became a defining moment in their OSU journey. After nine months of research, design, prototyping, and storytelling, they stood before a panel of judges and guided them through the narrative of the project. It was the culmination of years of learning — and a moment when they realized just how much they'd had grown.
“All the hard work wrapped up in one big bow,” they said. “I felt like I was able to guide the panel through the story of my project in a meaningful and personally life‑changing way.” That experience affirmed their confidence as a designer, a communicator and a leader.
Wright is quick to acknowledge the people who helped them along the way. Their friends and professors offered guidance, encouragement and space to explore. But two mentors stand out: Kate Ali and Madelaine Corbin, their managers at the Craft Center. The mentors taught Wright what it means to be an artist, what it means to make an impact and what it means to lead with intention. Their influence helped shape Wright's creative identity and commitment to community‑centered work.
After graduation, Wright is heading to Eugene to pursue a career in the public arts sector. They plan to get involved in costume design, teach technical sewing, and continue building creative spaces where people can learn, express themselves and connect. It’s a natural next step for someone who has always seen fashion and art as a way to bring people together like a family.
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